I do run ads.Just not for everybody.
Why this is an application
Two partners at a time, by application. If I take you on my name is attached to the result, so I'd rather turn work down than spend your money badly. When both spots are full I keep a short waitlist and tell you where you sit on it.
Ads turn up the volumeon what you've built.
of businesses mystery-shopped never replied to an online lead at all. Not slowly. Never.
average time those businesses took to respond. Only 13% answered inside five minutes.
of customers buy from whoever responds first. Not best. First.
is what ad spend returns when it lands in an inbox nobody is watching.
Plain terms,no lock-in.
You already film, or you're happy to shoot what I tell you to shoot.
- Campaigns built, launched and managed on your account
- Audiences, targeting and budget handled weekly
- Pixel, tracking and lead routing wired to your follow-up
- Creative direction — exactly what to film, and the hook
- Monthly numbers tied to booked jobs, not impressions
You supply the footage. I tell you precisely what to shoot.
Apply for a spotYou'd rather hand me a phone and get back to running the place.
- Everything in Campaign management
- 6 new ad creatives a month, scripted and directed by me
- Shot and edited by the Las Vegas video crew I work with
- Winners refreshed before they burn out, losers cut fast
- Hooks rewritten off the numbers, not off a feeling
Ad creative alone runs $100–$500 a video at agency rates. I write the hooks and direct the shoot; a crew here in the valley shoots and cuts it, which is why six a month is realistic and why this costs less than it used to.
Apply for a spotExplainable inone sentence.
Setup
Ad account, pixel, conversion tracking, audiences and the first creative batch. Month one is three times the work of a normal month.
Your ad spend
Paid on your own card, on your own account, never through me. Below $1,500 there isn't enough data to optimise anything.
Contract
Leave whenever. You keep the ad account, the pixel, the audiences and every piece of creative I made.
What the fee buys
The management fee buys the work — campaigns built, watched and rewritten every week, and the numbers shown to you monthly. It does not buy a guaranteed number of jobs. Nobody honest sells you that, and anyone who does is pricing a coin flip.
Billing
Same card, same amount, the 1st of every month, starting the day we launch. You get a receipt every time and a numbers report before the charge lands. Cancel by email any time before the 1st and the next month simply doesn't run.
The first 90 days
Ads need roughly 90 days at the minimum spend before the account has enough data to be judged fairly. If you are not willing to give it that, say so on the call and I will tell you to keep your money.
Five things.All dealbreakers.
Read these honestly. If you fail one, apply anyway and say so — some are quick to fix, and I'd rather help you fix it than run ads over the top of it.
A site that already converts
Mine or somebody else's, I don't care, and I don't care what industry you're in. But 53% of people bounce off a page that takes more than three seconds to load, and every one of those is a click you paid for.
Leads get answered fast
Automated or human, either works. Responding in five minutes instead of thirty makes you 21 times more likely to qualify that lead. Thirty minutes is not "pretty quick." It's a different business outcome.
At least $1,500 a month in ad spend, for 90 days
That's the floor, and it's a real one. Below it there isn't enough data in the account to optimise against, so you'd be paying me to guess.
Room to take the work
If twenty more jobs a month would break you, we fix capacity before we turn on the tap. Ads that generate work you can't deliver buy you one-star reviews.
You'll get on camera, or hand me footage
The ads that work in this market are you, your hands, your work, your voice. If neither is possible, I'm the wrong person and I'll say so on the call.